Featuring: Sabu Toyozumi
THE MOVE FOR THE QUIET
THE QUIET FOR THE MOVE
Jean-Michel Van Schouwburg - ORYNX
From an archive of recordings made by Takeo Suetomi and which he intended for his Chap Chap label, this formidable duo between pianist Masahiko Satoh and percussionist Yoshisaburo " Sabu " Toyozumi is brought to us by No Business in the Chap Chap Series of name of Suetomi's label. Three recordings of superb duets with Sabu Toyozumi have already been published in this series and I recommend them: The Conscience with the unforgettable trombonist Paul Rutherford, Burning with the brilliant chicagoan trumpeter Leo Smith and Mannyokawith Kaoru Abe, the shooting star of extreme free Japanese. Masahiko Satoh is the first Japanese free jazz musician to have performed and recorded in Europe. Spontaneous with Albert Mangelsdorff, Peter Warren and Allen Blairman and Trinitywith Peter Warren and Pierre Favre were published by the Enja label in 1972. You read correctly: Mangelsdorff and Pierre Favre, two essential artists of “free” euro-jazz. Disappeared from European radars since the blessed era when labels like Enja, Moers Music, MPS Saba engaged in "avant-garde" musical subversion, it is time that we throw an ear to this formidable free pianist whose daring then were solidly supported by a talent for pianist and connoisseur of contemporary music. There is a great double album by Joelle Léandre, Signature live at the Egg Farm(Red Toucan), in duet with two Japanese pianists, Masahiko Satoh and Yuji Takahashi. It is often in unexpected albums that the profound talent of the Lady of the Double Bass is revealed and this means that these two refined pianists inspire her. With Sabu Toyozumi, Masahiko Satoh creates a dialogue on everything the drummer offers, rhythms, scansions, distant memories of an Africa that he crossed right through backpack from Cairo to Accra. Mastery of unstoppable rhythms and musical modes, contemporary language of remarkable logic and clarity, cutting of sentences on moving tempos, development of ideas over the seconds and minutes, sequences and interlockings drawn up with a cord in all spontaneity. Immanent swing… In this joint manhunt, we are swept away by the time that fades, the tension which gradually rises in a crescendo of energies and volatile strikes played with unparalleled safety…. In this flight forward which ends up spinning indefinitely, an unstable, ephemeral balance is created, but of a solidity to any test, until Sabu gratifies us with a solo where the rhythmic cells dissolve in an air of samba… And the duo picks up again until the pianist turns alone around a few notes, continuously altering a pulse, an interval, a note, a saccade in the same spirit. A beautiful story that looks like eternity, questions, subtle interactions and majestic flights. Well placed hyphenations, intense sharing and a fountain of ideas, images, fingering pass at high speed with readability and flawless assurance, without downtime. The drummer comes straight out of the school of life of the AACM (of which he was a part a long time ago) and of incessant tours affirming an un feigned Africanity. With such a distinguished pianist, the pair is explosive. A great success of March 9, 1997 in Yamaguchi City which I highly recommend.