Oostum

Featuring: Gerry Hemingway | Samuel Blaser

Musicians on the recording

Samuel Blaser - trombone
Gerry Hemingway - drums

Recording track list

Side A
METTLE
BLOOS
BALLOON

Side B
SPOOR
ROGUE
KERKK

plus MOONS (available only in Digital version)

NoBusiness Records NBLP 112
Release year - 2018
Edition of 300 copies

Credits and release info

  • All compositions by Samuel Blaser (SUISA/GEMA) and Gerry Hemingway (GEMA/BMI)
  • Recorded live on the 29th August, 2015 at the Kerkje van Oostum, Groningen, The Netherlands by Bart Schulz / The Church was one of many venues of the 2015 Zomer JazzFietsTour / The festival was produced to Marcel Roelofs
  • Mastered by Arūnas Zujus at MAMAstudios
  • Cover drawing by Christine Carboneill, Perpignan, France
  • Design by Oskaras Anosovas
  • Produced by Danas Mikailionis
  • Co-producer  - Valerij Anosov

Reviews and articles

John Sharpe - All About Jazz

Dusty Groove - 

A really great setting for drummer Gerry Hemmingway – an album that has him improvising live with trombonist Samuel Blaser – a fantastic musician who's one of the freshest trombone talents we've heard in years! In previous comments, we've liked Blaser to a modern day heir to the genius of 60s trombonists like Roswell Rudd and Grachan Moncur – and those words definitely hold true here, as Blaser delivers a wondrous balance between new sounds and tuneful moments, fresh ideas and a longer tradition on his horn – all in ways that make Hemmingway sound even more creative than usual. The album features six duets, all recorded live in a church during a jazz festival in the Netherlands

Derek Taylor - DUSTED

Depending on the chosen measurement marker, free improvisation in its modern Western guise is now well over half-century extant as a means of musical inquiry. That longevity means that the days when pairings of instruments were considered radical or ungainly purely on the absence of measurable precedence are long gone. The tandem of trombone and drum kit may not be common, but examples are readily procurable. What remains singular is the pairing of Samuel Blaser and Gerry Hemingway with such instrumentation. OOSTUM documents on vinyl a concert between the Swiss and the American at Groningen, Netherlands in the summer of 2015. Six pieces, three to a side, serve as chapters in the amicable colloquy. The duo starts from near silence and the dynamics remain wide for the duration with Blaser tracing thematic fragments against a gliding wash of colors and textures from Hemingway. Bowed cymbals match and contrast with the metallics of plungered brass to build a striated horizontal structure of drones. Soon after, it’s mallets on toms vying with pursed, slide-driven murmurs in a loping processional. It being Blaser, there’s also a fair bit of humor as with the Doppler gutbucket shenanigans that color the Side A-closing “Balloon”. Instruments and their implementers prove an optimal match.

Oostum -

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